Adam (2019)
A widow takes in a heavily pregnant young woman.
The Blue Caftan (2022)
Halim and Mina own a small family tailor shop that specializes in sewing ceremonial caftans. Since traditional hand-crafted work is time-consuming, Halim decides to hire an assistant, Youssef. The presence of the attractive young man arouses long-suppressed feelings in Halim, something that does not go unnoticed by his wife Mina.
Calle Málaga (2025)
An aging Spanish woman in Tangier resists her daughter's decision to sell her home. Determined to stay, she does everything she can to keep her home and reclaim the belongings of a lifetime.
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Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film